Tuesday, May 19, 2015

Accessorize to Accent Your Journey Through Time

Clothing - period clothing - is the first thing anyone sees and takes notice of at a reenactment. And if the reenactment is not really a reenactment, such as a Renaissance Fair, it's still the clothing that will give us an impression of the past - even if it is pseudo.
And for the most part, the majority of us who practice authentic living history do a pretty darned good job in the period clothing department. Oh, there may be a few disagreements about "who wore what," and some of the unnecessary nit-pickiness that even our ancestors would scoff at, but generally, most of us could be placed in the past and pass as a local.
However, reenactors cannot live on clothing alone - - the past will still be dead without the proper accessories to help bring it to life. For instance, if you have a young lady in a hoop skirt posing next to a modern automobile, it looks kind of silly, doesn't it?
You can take the girl out of the 19th century, but you can't take the 19th century out of the girl! Or is it vice-versa? Ha!

 Or give a group of period dress living historians modern items and, well, something just doesn't seem right...they even act differently!
Little Caesar's Pizza, Coca Cola, and (plastic) bottled water - well...if they'da had it, they'da ate and drank it, right?

Now, surround some of these same reenactors with period-correct accessories - items that are very important in bringing a visitor into the world of the past that are too often left by the way side - and not only do they no longer look silly, but they, instead, seem like are actually from the past!
No Coke, no pizza, no bottled water, no cell phone, no zebra purse, no car, nor is there any 21st century silliness from crazy reenactors to let anyone know we are actually from 2015 and not from the 1860s. Instead, I do see a Harpers' Weekly, a period book, oil lamps, the right type of furniture, glasses of water, and...mmm...cookies.
Okay, yeah so I went a little to the extreme to prove my point. But you have to admit, the farb-photos are kind of fun to look at aren't they?
It's pretty obvious that surroundings and accessories will make a difference. Period clothing does very little without accessories to enhance the presentation, and accessories can be bland and boring with little meaning without a period-dressed person to make them come alive. Imagine seeing a cider press in a museum but not seeing it in action. Like a husband & wife or peanut butter & jelly or Ken & American history, period clothing & accessories go hand-in-hand with each other.
Over the years I have acquired numerous past products to display or demonstrate to the public. I'd like to show you a few of the ones I've been using to help bring the past to life. I don't bring everything to every event, by the way. Just what I feel I would like to have or maybe need depending on where I'm at.
I'd like to begin with the things that have greatly enhanced my Civil War era impression, followed by a few of the Colonial items I have, and show first my earliest impression as a reenactor - the Post master. It's what got me going as a presenter during reenactments and eventually allowed me to branch out beyond letters and mail delivery to talking about taverns, stagecoach stops & travel, and general stores:
Here is my Post Office set up, including the dovecote-style mail sorter, which is based on an original from the 19th century. Whether I set up as a post master inside a post office, speak about tavern life, show a stage coach stop, or even present as a general store owner, this set up will work in any of those scenarios, for mail was picked up and delivered at all four places.
Here I am as not only the local post master, but also as the proprietor of the general store. I have been able to utilize my 19th century post office/post master impression in a number of different ways. Add to this my research on the local general store and I can include numerous interesting bits of information right alongside my post office. Even though I have never worked at an open-air museum, I've been very lucky to be able to experience historical presenting much in the same vein as those who do. I enjoy it immensely.

Very little says "the olden days" like a spinning wheel. Here, my wife spins on her Saxony wheel; she never fails to draw a crowd anytime she pulls it out. She will also explain and show the "sheep to shawl" process by having raw wool on hand for folks to see and touch, carding paddles so visitors can experience that task, and giving step-by-step instructions to all who are interested, especially young girls.

How about a carpet bag for you men? Yes, I know many men feel awkward carrying one, due to their close proximity to the women's purse. But you would not be carrying a purse or even the awful modern "man-bag;" it is an accessory that many men carried during the time (and for a while before) the American Civil War. 
As far as being concerned about being called a "carpetbagger," I get called that by the uninformed quite often. I think of it as a great teaching opportunity to let the folks know that the term became derogatory after the War, when many northern carpetbag-carrying men traveled south to take advantage of the unsettled social and political conditions of the area during Reconstruction. Think of it this way: at least they know what a carpetbagger is, right?

Dipping candles is a great presentation for the younger set----yes, they still made candles in the 1860s, especially in the more rural (farming) communities. If you do this, try and do it the way it was done in the 19th century; instead of using the spray or gel that folks use today to remove the hardened candles from the molds, dip the mold with the hardened wax into the pot of boiling water for a few seconds. The candles should slide out very easily.

Cider press! Nothing says "autumn" like apple cider, and to press the apples like they did in the old days is not only a big draw for both public and reenactors, but you get to reap the benefits as well! Yes, they're expensive, but oh! what a great thing for your unit to purchase!! Highly recommended!

Ahhh...the 19th century-style ice cream maker is always a hit with reenactors and visitors alike. The idea that in the 1860s ice cream was not readily available at the local Dairy Queen or corner store and was only made on special occasions, such as celebrating Independence Day, is another great teaching opportunity. Plus, tasting the past is one of those benefits we living historians get to have.

My friend Larissa and I do historical presentations as a farming couple, and we speak on what it was like to live and run a mid-19th century Michigan farm during each of the four seasons of the year. Not only do we dress appropriately, but we also bring along accessories to accent our presentation...
Here is a close up of some of the accessories Larissa and I bring to accent the 19th century home-life part of our presentation: (from left) ice cream maker, pen & ink box, glass oil lamp, chamber pot, parlor lamp, wash bowl and pitcher, butter churn, and a hog scraper. As we gather more farm tools, we'll bring those along as well.

In the days before Thomas Edison's crazy electric light invention: here are a few of my replica 18th and 19th century era lighting apparatuses. I put them in roughly a time-line order here from colonial through mid-Victorian, beginning on the left with a wood lantern, brass candle holder, tin wall sconce, the Old North Church/Paul Revere lantern, another brass holder, a pierced tin lantern (often mistaken, for some odd reason, as a Paul Revere lantern), a table candle holder with large glass globe, a parlor oil lamp (with the orange base), and a regular glass oil lamp. On the wall on the upper right is a wall sconce suitable for mid-to-late 19th century. I also have numerous other period lighting not shown in this photo, including a rush lamp and a tin lantern.

2014 was my first year reenacting the era of the American Revolution, so I basically was "background" while the more experienced 1770s reenactors did their presentations.
This year, however, I plan to move more into the foreground by taking my Civil War-style reenacting and applying it to Colonial era Reenacting. In other words, I will become a colonial living historian and try to make the 1770s come alive for the patrons visiting. Of course, I plan to bring along a few of my 18th century accessories. I don't have very many in comparison to what I have for the Civil War era - times are hard, you know - but I have a few items that can suffice until I accrue more.
Here are a few I plan to have with me:
An 18th century-era reproduction candle box. I was told by a former historic presenter from the Daggett House (built circa 1760 and is now located in Greenfield Village) that this is close to the original 18th century candle boxes she has seen and that I should purchase it. I did, and she was correct - this looks very close to originals - what a great buy!

A journal-style book, a lantern (a replica of one that lit up the steeple of the Old North Church in April of 1775), a quill & ink set, and a notice listing the dead from the Battle of Lexington & Concord: great items to start a conversation about the beginning of the American Revolution.

In this picture I spy a 1770s broadsheet (18th century-era newspaper), brass candle holder, my tankard, and my tricorn hat. Believe it or not, the candle holder cost me only a buck! And it is period correct - - -

Here you see the same dollar candle holder as in the above picture, but now we also see a writing desk, a different quill & ink set, and an excellent reproduction copy of Thomas Paine's pamphlet "Common Sense."

Remember the picture above of my wife of the 1860s spinning on a Saxony wheel? Well, here she is in the 1770s, only with the large walking (or great) wheel. This is a posed photo from inside the 1760 Daggett House (in Greenfield Village), and, since she spins, we're hoping to bring the large wheel we own with us to one or two of the events this year.

Perhaps one of the very best of all of the reenactments I have participated in (so far) took place last fall during our Harvest Home presentation, where many of us living historians were able to come together and present as well as experience the fall harvest of 150 years ago. (A couple of the photos from that reenactment are above: candle making and the cider press). We could never do such a thing as a fall harvest with just clothing knowledge alone, nor would the presentation be nearly as interesting if we were wearing modern clothes while presenting. It takes both to make the past come alive.
In other words, without accessories to show the past, we would be nothing more than lecturers in funny clothes.
And how boring would that be? 
Hopefully I have enticed you to spend some time researching and searching for accents to your demonstrations of the past. It certainly will help to keep our ancestors alive, wouldn't it? 
And, well, it'll make your time in the past a lot more fun and interesting.


Sources for your own researching pleasure:
Discovering Oil Lamps by Cecil A. Meadows
Early Lighting by Elmer Smith
Also Farmer Boy by Laura Ingalls Wilder has an amazing amount of social farming history within its pages.

For your further reading pleasure:
Harvest Home: Presenting the Fall Harvest of the 19th Century








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Tuesday, May 12, 2015

The 2015 Season Begins: Grand Ledge Victorian Festival

Through all the complaints of winter's bitter cold and snow, I have one question: where did the time go? It was just Christmas and now it's already May!
And you know what that means...yup! the beginning of the reenacting season is here!
Although a few of us have dressed up in our period clothing numerous times over the winter months, it's this springtime of the year that, at least for us here in Michigan, the time machine is oiled up, gassed up, and waxed up, ready to take us into the past so we can, as I said in last week's post, become a part of history.
This is why it's so important for us as living historians/reenactors to research and learn all we can about the time-period we are representing, for if you have fine clothing but little-to-no knowledge of the era you not only make yourself look foolish, but you make everyone in the hobby look foolish. To be taken seriously, and not just "frou frou people in costume," takes a bit of work.
As the season begins, please keep this in mind.
And for you newbies, please heed the following advice: research, research, research.
No one will expect you to be a top-notch history major initially, but with each passing event, try to gain a bit more knowledge about the past - some wonderful historical information you can share with the public. You'll be amazed at how quickly your familiarity with times gone by will grow.
Well, with that being said, let's take a peak into the highlight my first reenactment of 2015, which occurred the first weekend in May
Welcome to
Grand Ledge, Michigan
The ledges of
Grand Ledge
While many of our friends journeyed to Springfield, Illinois to the Lincoln Mourning Remembrance event, a few of us who remained in Michigan attended a fairly new reenactment in a quaint Village located nearly two hours west of Detroit known as Grand Ledge. I've never been to Grand Ledge before this so I really didn't know what to expect, but it seems to have the typical small-town atmosphere that I love and enjoy so much, with stately Victorian buildings, well-kept parks, beautiful 19th and early 20th century homes, along with a friendliness that is difficult to find around big cities. 
Americana. I love it!!
The futuristic Sylvania Dye
in her 1880s finest.
She’ll be in 1860s
clothing this summer.
All about the bass…
One of the 21st Michigan's newest members, Sylvania, has been heading up a Victorian festival here for, I believe, five years, and has been trying to get our other members to attend every year since it began. Previously, our unit had been committed to the now defunct Walker Tavern event, which prevented us from Grand Ledge.
In 2014, with Walker Tavern gone, I planned to finally go to Sylvania's event. But, that April, my brother passed away suddenly, leaving my family in shock. Naturally, any thoughts of going was out.
This year, however, the date was left open.
And we went.
And we had a great time!
Although there are some festivities taking place in the village of Grand Ledge itself, the majority of the excitement occurs on an island located in the middle of a river (Grand River) that runs through town, accessible by a walking bridge. This island is a perfect spot for visitors to stroll along a walkway and speak to the reenactors in camps. Since the island is not very large or wide at all, the Grand River is easily seen on both sides, becoming a perfect backdrop no matter where you stand.
Three of us from the 21st Michigan joined other reenactors on this perfect spring day, and I, with camera in hand, was able to snap a few photographs that will hopefully give you a "grand" idea of just how nice this reenactment was:
What the heck is this horseless carriage doing in 1865? Does it run on steam? Ha!
Actually, before we ventured to the island, Mrs. Schubert, Mr. Tennies, and I ran into one of our friends from the 7th Michigan, Mrs. Carlson.

From up the Grand River, a steamboat moves along the budding trees while Michigan Senator, Jacob Howard, enjoys the sounds of spring now that the river has thawed.

"Oh my! There's the steamer going by! That's a sure sign of spring!"

It's like seeing an old friend!

The boat they have here is, unfortunately, not a paddlewheel boat, but, instead, a modern version of a steamboat giving patrons rides up and down the Grand River. Even though it wasn’t period, it still gave off the impression that it was, so we took advantage of the photo opportunities. Out of the half dozen or so images taken, this one happens to be my favorite.

Ahhh...here we are, enjoying a beautiful spring day in the merry month of May. Even though steamboats were plentiful in my home state of Michigan in the 19th century (with all the lakes and rivers we have here, how could they not be?), they still bring "the old south" to my mind. That's one of the nice things about being a civilian: we can be North or South, depending on the scenario. Maybe the three of us are preparing to go down the Mississippi River...

Civilian members of the 102nd Regiment United States Colored Troops. Based out of Detroit, they do a fine job representing people of color during the time of the Civil War, which, if you ask me, are under-represented.

The 102nd Regiment United States Colored Troops was organized at Camp Ward, located on a farm in Detroit. Eight-hundred-forty-five men from Detroit, southern Michigan, and Ontario, Canada, volunteered for the regiment. Some of these early volunteers were escaped slaves from the Underground Railroad: 72 had been living in Canada where their status as free men was assured.

While all were fighting against slavery, some were fighting to free actual family members who may have still been enslaved. For these early black volunteers particularly, to step into the spotlight by volunteering took enormous courage, not to mention the bravery of those who crossed back from Canada into the US to fight.

My sometimes niece (Christmas at the Fort 2014), sometimes male soldier (with the 4th Michigan), and sometimes just a plain old girl reenactor (21st Michigan), Mrs. Frey is top notch at nearly anything she does in the world of living history...

...just don't throw the baby out with the bath water! Ha! Yes...that's just a myth but it seemed to fit the picture.

Mr. Tennies (aka Senator Howard) is not bribing one of the judges of the facial hair/moustache contest. Naw...not at all...!

Yes, this is the same lovely woman in photo above this one. It's Mrs. Dye, and she is the person who heads up Victorian Days. She joined our group this year and plans to have her 1860s dress ready for summer. That's a good thing because the futuristic fashion she has on here is very different from what I'm used to seeing young ladies wear!

This reenactment in Grand Ledge was a fine beginning to the reenacting season for us and has me itching for more. I will be bouncing back and fourth between the 1860s and the 1770s and hope to continue to raise the bar for myself and for any others who would like to join me in these travels.
You know, of course, I will be posting photos and text of my adventures through time here on Passion for the Past.
Stay tuned...














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Wednesday, May 6, 2015

Being A Part of History by Reliving It: Mourning for Lincoln

~I would like to begin this post by noting that I did not attend the Mourning for Lincoln event in Springfield, Illinois the first weekend in May 2015. Unfortunately, the lack of finances reared its ugly head and, therefore, it wasn't meant to be for me or my wife to go. 
But, rather than wallow and whine about it, I found myself, instead, thoroughly enjoying all of the pictures taken by my friends who had gone. And because of their great, great photos, stories, and their willingness to allow me to post them here (along with some of their thoughts of the remembrance), I have been able to vicariously witness the ceremony through them (in a small way).
And now you can, too!
So won't you join me in this time-travel moment and see, through the eyes and lens of some very good friends, the 150th reenactment of the Mourning for Lincoln? ~
 
Would you say that we, as reenactors, "relive history"? 
That we, in a way, become a part of history?
Or is it presumptuous for me to even say "to become a part of history"?
But as living historians, isn't that what we do?
Isn't that what visitors expect to see at a reenactment...history come to life?
I ask these questions because, once again, it seems that living historians and reenactors brought the past to life vividly, and what could have been a bland, boring heavy speech-laden 'remembrance' (ala C-span) turned into something very special - one of which non-living historian witnesses will remember for years to come - because of the presence and participation of the living historians and reenactors...you know, the folks who study the past deeper than most and know how to act and fully understand how to bring the past to life. From what I've seen and heard, it was those who practice this 'time-travel' art that made it such a success.
And I believe they may finally be receiving the credit they so deserve!
On the weekend of May 1, 2, and 3, 2015, a thousand or so reenactors showed the country the power of reenacting at a very special event - one that I would have loved to have attended and participated in, for it was a once in a lifetime opportunity: the 150th anniversary of the Mourning for Lincoln in Springfield, Illinois. Billed as an "accurate and dignified reenactment of the historic anniversary of Abraham Lincoln's funeral procession," it was the one event out of all of the 150th anniversaries that I had hoped to be a part of.
But since I could not, I would like to thank my good friends Larissa Fleishman, Vickie St. John, Samantha Mansfield, Sally VanderArk, and Sheri Giffin for seizing the opportunity and "reporting back" in words and pictures.
I do appreciate it!
First, let's begin by seeing the extremes the promoters went to for historical accuracy:
Here is an 1865 photograph of the original funeral train car that carried the body of President Lincoln on the journey home to Springfield, Illinois from Washington City (D.C.) in April 1865.
Here is the exact replica of the Lincoln funeral train car you see in the above photograph that was on display in Springfield for the 150th anniversary. If it's not an exact replica then it's very close. (Courtesy of Vickie St. John)

From April 1865, an image of Lincoln laying in state. Note the extravagance of the casket.
Here is an exact replica of the Lincoln coffin as seen at the 150th remembrance. (Courtesy of Vickie St. John)
Here's a photograph that I took of the Lincoln casket when it was part of an exhibit at the Plymouth Historical Museum in Plymouth, Michigan in April 2009.
I wonder if this is the same one that was at the 150th?

And now for the hearse: another original 1865 photograph...
...and the replica of the original. These folks really went all out to mark the 150th anniversary! (Courtesy of Sally VanderArk)

And then there were the mourners...the living historians who brought this very important and sad time in our Nation's history to life through pomp, circumstance, and ceremony in a very honorable and moving remembrance.
As was written on the Mourning for Lincoln web site:
"2015 will be an extraordinary year for re-enactors, individuals and organizations that are steeped in Civil War history. This year not only brings to a close the 150th anniversary of the Civil War, it will remind the world of the 150th anniversary that changed the course of American History – the death of President Abraham Lincoln.
For the first time since 1865, re-enactors, period carriages, visitors and dignitaries will, on MAY 1 – 3, 2015, convene in Springfield, Illinois, to pay tribute to our 16th President with superb events and the unparalleled historic and solemn re-creation of the funeral procession to Oak Ridge Cemetery.
(Although MONDAY, MAY 4, 2015 is the official anniversary date of President Lincoln’s burial, the above dates were selected to preclude weekday business disruption.)"

As you will see, the promoters and reenactors alike really pulled out all the stops to make it as historically accurate as they could. 

Here we have 21st Michigan members Larissa and her mother, Violet, posing in front of Lincoln's casket. (Courtesy of Larissa Fleishman)
“It was weird how random & instant the tears fell.  They would just stream down my face.”
“The choir sounded like angels wafting over the tops of the building. It was amazing how silent the city was - it blew my mind. The 1/2 mast flag was another.” (Photo courtesy of Larissa Fleidhman)
Paying last respects to our 16th President:
“It felt somber, and reflective. I never cried, but it made me do a lot of thinking about the reaction then and how our society is today. I agree that it was a reflective time. I loved the respect and silence.” (Photo courtesy of Samantha Mansfield)
According to my friends, the tears shed were real. (Courtesy of Samantha Mansfield)
Surprisingly, the line up to pay last respects wasn't too bad, and it was mainly the period-dressed reenactors who walked up to pay respects - very little modern folk did this.
(Courtesy of Samantha Mansfield)
“It was great to be a part of that. Even the spectators were playing their part by remaining quiet. It was somber, but I also felt a bit of celebration for such a great man.” (Photo courtesy of Samantha Mansfield)

The throngs of people, including over 500 civilians and over 400 Civil War military, crowded into the street, just as was done 150 years ago.
 “It was totally different in nature. There were a good number of really beautifully dressed civilians, and that tells me people who take this hobby seriously wanted to be there. It was very special to be there, and it may rank in my top couple of events ever. It made me respect what we do even more.”  (Photo courtesy of Vickie St. John)

“We were amazed at the silence, too. Even the spectators (were silent). That was incredible!!!” (Photo courtesy of Vickie St. John)

“This event was well organized, authentic and passionate for everyone present. It was very cool to be a part of it.” (Photo courtesy of Vickie St. John)

And then the final procession as part of the 150th anniversary of Lincoln's funeral took place on Sunday May 3. The hearse pulled by a team of horses carrying the replica silver-bedecked coffin of the slain president followed a close historical route of the original funeral in 1865. Highlights of the journey included passing in front of Lincoln's home on S. 7th St., Edwards Place, as well as the original entrance to Oak Ridge Cemetery on N. First St. with the final stop at the original Lincoln receiving vault on the cemetery grounds where a ceremony and final farewell took place. 
The replica ostrich-plumed Hearse (Photo courtesy of Larissa Fleishman)

“I think a lot of us were reflecting in our own little world as we marched. That's how it was for me, at least. The silence is something that I will never forget.” 
“It was surprisingly quiet during the whole procession, and I saw both reenactors and the public crying, too. It was a very somber event.” (Photo courtesy Allie Tomkie)

“I had my emotional moments while walking in the procession. We were surrounded by people dressed so great, and we were just marching in silence. Then when we got near the old Capitol and heard the choir singing....everyone around us was wiping tears away. One of my reenacting career highlights for sure.” (Photo courtesy Amanda Fross)
As spectators, I saw part of the funeral going down the street-right before we left. It was quite moving - I felt a pride in something deeper than I've known.”

My friends who attended this event took advantage of their time in "The Land of Lincoln" and played 19th century tourists. One stop was Lincoln's home on S. 7th Street:
"To this place, and the kindness of these people, I owe everything. Here I have lived a quarter of a century and have passed from a young to an old man. Here my children have been born and one is buried."-Lincoln's farewell address to the people of Springfield on his departure for Washington in 1861

For 17 years, Abraham Lincoln, the 16th president of the United States, called this simple comfortable house at the corner of 8th and Jackson Streets home, from the time he purchased it in 1844 until he left Springfield in 1861 to face the ordeals of secession and civil war in Washington, DC.  The only house he ever owned, it saw his transformation from a small town lawyer to a figure of national importance, and witnessed some of the most important events in his life prior to his inauguration as president. (From the Lincoln Home national Historic Site)
(Photo courtesy of Larissa Fleishman)

Sheri, from the 24th Michigan, poses in front of the Lincoln Home.

The ladies of the 24th Michigan and the Michigan Soldiers Aid Society pose in front of the Lincoln home.
“This event was near the top for me. For civilians I would say it is #1.” (Photo courtesy of Sally VanderArk)

The lovely Miss Violet & Miss Larissa attended the 1st Presbyterian Church, the same one the Lincoln's attended for 11 years. It was a very somber service. (Photo courtesy of Larissa Fleishman)

21st Michigan members Amanda and Vickie stand near the hearse. Vickie, who has been reenacting longer than I believe anyone I know, said this was one of the best she's ever attended. (Photo courtesy of Vickie St. John)
Then there is the 19th century "selfie" of Vickie, Amanda, and Larissa. (Courtesy of Vickie St. John)

My friend, Kristen (from The Victorian Needle), also attended this special event, only she went as a sutler. She makes period-correct jewelry for women and brings documentation of what she sells at events. Though she's always been interested in period jewelry, she only begun selling what she makes for a couple of years. And because she sells such high quality historically-accurate merchandise, she was approved to sell at the Mourning for Lincoln event. As her "reenacting father," I couldn't be more proud!
Oh! By the way - she'll be selling her wares at Greenfield Village's Civil War Remembrance Weekend later this month, so for those participating or just attending, won't you come and see her?
(She does offer a small line of RevWar-era jewelry as well, just in case you were wondering.)

So, there you have it.
Even though I wasn't there, I felt the need to publish a posting about the 150th Lincoln mourning reenactment. As I stated at the beginning, reenactors and living historians not only relive history, but they become a part of history as well.
Whether it's realized or not, all who reenact are looked upon by the average person as experts. And those who practice the historical "art" of living history in its truest form become, in almost every sense, actual people from the past, and take historical presentation even further. That's why it's so important to understand that once you put on period-accurate clothing and step into the public, all eyes are on you. You have become a time-traveler. An expert.
And those who attended Mourning for Lincoln certainly accomplished this.
Til next time, see you in time.  

Premier Night of the Movie "Lincoln"
The Last Mourner for Lincoln
Lincoln at Gettysburg - First-Hand Accounts
The Lincoln Rocker
Lincoln's Birthday Celebration















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